G-FUNK.WS: Wassup Clyde. Would you let us know how & when it all started for you with the graphics designing and artwork direction?
BLACKAT: I been designing since I was 8 years old. Drawings here and there. It’s when I entered High School in Port Arthur, TX that’s things started coming alive. Designing T-shirts for the school and I was chosen to re-design our football team Logo and Uniforms that hardly been changed since 1986.
G-FUNK.WS: What did you do before you went into graphics?
BLACKAT: I always did art, from Stain glass windows to sculptures to murals and T-shirt designs. Art has always been the way I made money.
G-FUNK.WS: We have peeped your Instagram, you got a lot of old photos of yours with or related to some celebrities, how did you come to know them all?
BLACKAT: I’ve been learning about music history all my life. I grew up in a house where my parents and grandparents partied and listen to music, stuff like The Doors, James Brown and Tom Jones. But it was when my grandparents got me a Vinyl Record player and give me old Blues records I started asking questions about the music. So, by the time I left High School I was a walking music encyclopedia and would win music Trivia Contest. When I moved to Houston and started going to the Art Institute I met a student there whose family was in the concert business. He was blown away of my knowledge of music and asked me have I ever seen any of the artist or groups Live. At this point I’ve never seen a live show or any type of concert ever. So he took me to my very first concert to see Fleetwood Mac, he took me back stage for the very first time and I was hooked. From that point I knew where I wanted to be and what I wanted to do was be around music. As a 19 year old Black kid with a history of music like no other I was like a Unicorn to them but growing up around old people taught me how to converse with people beyond music and artist just took a liking to me, plus having knowledge I knew about the personal things about each artist. Most would sit down and tell me about their lives. Those was my tools to create a job position for myself. Whatever the artist needed there was a list. Well if I knew I wanted to impress them, I had to go above and beyond my Job duties, fix the tiny holes and details most people would leave off, to make their life on the road a little better sometimes. That was always appreciated, to have that one person out of everyone that would help them with things, they couldn’t talk about but had to get done. Like send cash to a family member or picking a girl out the crowd to help shopping for wardrobe or being there on stage to run messages back and forward to make sure they had towels and water to stay performing. I even helped some artist with wardrobe and set changes. Over time being on the road, you don’t see each other as a artist and a worker, you become a family, going for city to city. For years I was the youngest in the production crew at age 20 in the entire music business. Rock legends became mentors and friends over time.